Sido; suivi de Les vrilles de la vigne by Colette

(3 User reviews)   907
By Larry Peterson Posted on Feb 5, 2026
In Category - Photography
Colette, 1873-1954 Colette, 1873-1954
French
Have you ever read something that feels like sunlight through a window? That's 'Sido; suivi de Les vrilles de la vigne' by Colette. It's not a book with a big, thumping plot. Instead, it's a quiet, stunningly beautiful look back at a writer's childhood and her fierce, complicated mother, Sido. The 'conflict' here is gentle but deep: it's about memory itself, and the bittersweet pull between growing into your own person and the roots that will always tie you to home. Colette writes about the scent of rain on hot earth, her mother's hands in the garden, and the wild freedom of the countryside with such sharp, loving detail that you can almost smell the lilac. It's followed by 'Les vrilles de la vigne' (The Tendrils of the Vine), a series of short, sparkling pieces about being a young woman finding her voice in Paris. Together, they form a perfect portrait of an artist being made. If you're tired of noisy stories and want to sink into prose that feels alive, pick this up.
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Let's be clear from the start: if you're looking for car chases or shocking twists, this isn't your book. Colette's 'Sido; suivi de Les vrilles de la vigne' is something quieter and, in my opinion, more powerful. It's a double helping of autobiographical writing that shows us where one of France's greatest writers came from.

The Story

'Sido' is a love letter to Colette's mother and her childhood in Burgundy. We don't get a straight timeline of events. Instead, we get memories—vivid, sensory snapshots. We meet Sido, a woman utterly connected to her garden, her animals, and the rhythms of the land. She's unconventional, wise, and sometimes frustratingly stubborn. The 'story' is simply Colette looking back, trying to capture her mother's essence and the wild, sensory world that formed her.

'Les vrilles de la vigne' (The Tendrils of the Vine) shifts to Colette's early adulthood in Paris. These are short, observational pieces—vignettes about being a young performer, the gossip backstage, the feeling of city nights, and the first thrilling steps of building a life and a career separate from the countryside of her youth.

Why You Should Read It

You read this for the writing, full stop. Colette's prose is a miracle. She makes you feel the sticky heat of a summer afternoon, the rough bark of a tree, the specific silence of snow. Reading her is a physical experience. More than that, she captures universal feelings with breathtaking clarity: the complicated love for a parent, the ache of nostalgia, and the fierce joy of claiming your own path. Sido isn't a perfect, saintly mother; she's real, and that makes Colette's devotion to her memory all the more moving.

Final Verdict

This book is for the quiet observer. It's for anyone who has ever felt a deep connection to a place or a person from their past. It's for writers, gardeners, and anyone who appreciates sentences so beautifully crafted they make you pause and read them twice. Perfect for a slow afternoon when you want to be transported, not by plot, but by sheer, luminous feeling.



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Robert Robinson
4 months ago

Clear and concise.

Ava Hernandez
1 week ago

I was skeptical at first, but the atmosphere created is totally immersive. Highly recommended.

Charles Jones
6 months ago

Without a doubt, it creates a vivid world that you simply do not want to leave. I would gladly recommend this title.

4.5
4.5 out of 5 (3 User reviews )

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